This essay will try to define and comprehend the concept of the spectacle as understood by Guy Debord and Jean Baudrillard. It will look at how this concept, together with Baudrillard’s concept of Simulation, and the Situationists International have influenced contemporary art, particularly in the category of performance, happenings and arts criticism of the mass media. It is relevant to mention, that as the Situationist International » Read the rest of this entry «








