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	<title>Keep Yer Coins &#187; Selected Essays</title>
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		<title>Looking at Looking: Psychoanalysis and The Spectator in Film, Photography and Painting</title>
		<link>http://www.tomashein.com/blog/2010/01/27/618/</link>
		<comments>http://www.tomashein.com/blog/2010/01/27/618/#comments</comments>
		<pubDate>Wed, 27 Jan 2010 19:34:32 +0000</pubDate>
		<dc:creator>TAH</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[Selected Essays]]></category>

		<guid isPermaLink="false">http://www.tomashein.com/blog/?p=618</guid>
		<description><![CDATA[The Psychoanalytic Framework of Looking
In order to understand the act of looking as socially structured, we must first embrace some concepts of psychoanalysis that relate to the constitution of human sexuality in childhood.  The first concept, Fetishism, is known to all of us and our understanding of it is not far from Freud’s theory.  A [...]]]></description>
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		<title>Paper on a seminar titled &#8220;Emic and Etic Perspectives Within the Context of Visual Culture&#8221;</title>
		<link>http://www.tomashein.com/blog/2010/01/17/paper-on-a-seminar-titled-emic-and-etic-perspectives-within-the-context-of-visual-culture/</link>
		<comments>http://www.tomashein.com/blog/2010/01/17/paper-on-a-seminar-titled-emic-and-etic-perspectives-within-the-context-of-visual-culture/#comments</comments>
		<pubDate>Sun, 17 Jan 2010 23:52:50 +0000</pubDate>
		<dc:creator>TAH</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[Selected Essays]]></category>
		<category><![CDATA[cultural exchange]]></category>
		<category><![CDATA[emic]]></category>
		<category><![CDATA[etic]]></category>
		<category><![CDATA[hegemony]]></category>

		<guid isPermaLink="false">http://www.tomashein.com/blog/?p=607</guid>
		<description><![CDATA[Subverting Emic and Etic Perspectives in a Commodified and Central Cultural Apparatus.
On Cultural Exchange and Global Markets.
Division and bipolarity are not new to humanity.  In the twentieth century only, we have experienced various forms, such as axis and allies, democracy and communism, east and west and Pictorialism and formalism.  Today, these divisions seem to [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>From the Spectacle to the Hyperreal.</title>
		<link>http://www.tomashein.com/blog/2009/05/05/from-the-spectacle-to-the-hyperreal/</link>
		<comments>http://www.tomashein.com/blog/2009/05/05/from-the-spectacle-to-the-hyperreal/#comments</comments>
		<pubDate>Tue, 05 May 2009 12:29:12 +0000</pubDate>
		<dc:creator>TAH</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Articles]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Selected Essays]]></category>
		<category><![CDATA[alÿs]]></category>
		<category><![CDATA[baudrillard]]></category>
		<category><![CDATA[debord]]></category>
		<category><![CDATA[demand]]></category>
		<category><![CDATA[geoffroy]]></category>
		<category><![CDATA[simulation]]></category>
		<category><![CDATA[spectacle]]></category>

		<guid isPermaLink="false">http://www.tomashein.com/blog/?p=439</guid>
		<description><![CDATA[
This essay will try to define and comprehend the concept of the spectacle as understood by Guy Debord and Jean Baudrillard. It will look at how this concept, together with Baudrillard’s concept of Simulation, and the Situationists International have influenced contemporary art, particularly in the category of performance, happenings and arts criticism of the mass [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>How does text shape the understanding of photographs?</title>
		<link>http://www.tomashein.com/blog/2009/02/02/how-does-text-shape-the-understanding-of-photographs/</link>
		<comments>http://www.tomashein.com/blog/2009/02/02/how-does-text-shape-the-understanding-of-photographs/#comments</comments>
		<pubDate>Mon, 02 Feb 2009 12:27:27 +0000</pubDate>
		<dc:creator>TAH</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Selected Essays]]></category>

		<guid isPermaLink="false">http://www.tomashein.com/blog/?p=10</guid>
		<description><![CDATA[Images are very rarely presented without an accompanying text. A title, caption, and sometimes even an essay accompany images in most cases. Moreover, we can say that photographs always come in the hand of language. There is no need for the language to be written by the photographer (or editor, or writer), the viewer will [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Photography as a Realist Medium.</title>
		<link>http://www.tomashein.com/blog/2009/02/02/photography-as-a-realist-medium/</link>
		<comments>http://www.tomashein.com/blog/2009/02/02/photography-as-a-realist-medium/#comments</comments>
		<pubDate>Sun, 01 Feb 2009 23:13:36 +0000</pubDate>
		<dc:creator>TAH</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Selected Essays]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[real]]></category>
		<category><![CDATA[realism]]></category>

		<guid isPermaLink="false">http://www.tomashein.com/blog/?p=3</guid>
		<description><![CDATA[Realism in the arts is the intent to achieve a truthful representation of reality in its historical context. In the mid fifteenth century, with the development of perspective, the gap between reality and the truthful representation of it narrowed. From then on, perspective became a convention that assured a closer representation of reality in the [...]]]></description>
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